Sripuram Golden Mahalaxmi Temple

Golden Temple - when uttered this word, immediately people thinks of Amritsar and the Highest Body of the Sikh's pride Golden Temple.

Thirmalai naiker mahal-MADURAI

The palace is situated 2kms south east of Meenakshi Temple. The palace was built in 1636 by Thirumalai Nayakar.

The Meenakshi temple complex

Madurai or "the city of nectar" is the oldest and second largest city of Tamil Nadu..

The big Waterfalls at Hogenakal

You get the feel of the river running nearby when you enter the sanctuary enclosing Hogenakal waterfall. Suddenly.

Dr. Avul Pakir Jainulabhudin Adbul Kalam

Adbul Kalam, was born on the 15th October, 1931, at Rameshwaram in TamilNadu. He did his B.Sc..

Thursday, April 29, 2010

Alagar




Alagar Koil is a temple dedicated to Lord Vishnu. It is situated at a distance of 21 km from Madurai, on foot of Alagar hills, amongst the natural beauty of the woods. The Vaishnavite temple is famous for its beautiful sculptures and exquisite 'mandapams'. It is believed that pilgrims visited Azhgar Kovil even in the early days of the Sangam age. According to Hindu Mythology, Lord Vishnu came to this place from his heavenly abode to give away Goddess Meenakshi in marriage to Lord Sundareswarer.

Here, Lord Vishnu resides as Azhgar, brother of Meenakshi. A huge crowd of devotees is seen here in the month of April/May when Chithirai Festival is celebrated. During the festival, wedding ceremony of Goddess Meenakshi and Lord Sundareswarer takes place and Lord Azhgar travels to Madurai. A gold processional idol of Azhgar, called Sundararajar, is carried in procession by the devotees from Alagar Koil to Madurai for the divine wedding ritual.

The splendid main tower at the entrance is believed to have been built by the Pandyan Kings. According to the historical background of the place, Malayadhwaja Pandyan, son of Kulasekhara Pandyan, was the earliest known monarch to patronize the temple. Jatavarman Sundara Pandyan beautified the 'vimana' of the shrine with gold plates. After the Pandya rule, the Nayakas patronized the deity.

The main deity of this temple is called Paramaswamy and the processional idol is called Alagar or Sundararajan. The stunning idol is made of pure gold and is an exquisite example of craftsmanship. There is shrine of Kalyana Sundaravalli, the divine consort of Alagar, in the southern enclosure. There is another shrine in the north dedicated to Andal. Other important shrines are of Sudarshanar and Yoga Narasimha.

There is another shrine nearby, dedicated to Karuppannaswamy, the God of Kallars. There are finely carved eighteen steps, which are an object of both worship and amazement by the devotees. It is claimed that nobody dares to tell a lie at this spot. The place is also known for its holy springs called Silamboru and Noopura Gangai. According to local tradition, these springs originated from the anklets of Maha Vishnu during His incarnation as Trivikrama.

Chidhambara Ragasiyam


Chidambara Ragasiyam/Rahasyam (Tamil for "secret of Chidambaram") is a Hindu belief that there is a secret message conveyed through the embossed figure near the shrine of Shiva in Chidambaram temple.

Since ancient times, it is believed that this is the place where Lord Shiva and Parvathi are present, but are invisible to the naked eyes of normal people. In the Chidambaram temple of Lord Nataraja, Chidambara Ragasiyam is hidden by a curtain (Maya). Darshan of Chidambara Ragasiyam is possible only when priests open the curtain (or Maya) for special poojas. People who are privileged to have a darshan of Chidambara Ragasiyam can merely see golden vilva leaves (Aegle Marmelos) signifying the presence of Lord Shiva and Parvathi in front of them. It is also believed that devout saints can see the Gods in their physical form, but no such cases have been officially reported.

Chidambara Ragasiyam is also the name of a serial on Tamil television, focusing on "Nadi Jothidam" - that is, Nadi astrology.

Saturday, April 17, 2010

Doveton House-chennai


Doveton House, currently housing Women’s Christian College (WCC), is a historical building in chennai constructed by the renowned architect Benjamin Roebeck, in the year 1798, when Wordsworth and Coleridge published their Lyrical Ballads.Doveton House was initially used as a residential building where English officials stayed, during their visit to chennai.

Doveton House is marked with pillars very typical of the colonial structures, in the front and the arched staircase that resemble the half moon in shape, at the back. Doveton House resemble another famous building of the same period – the White House. It was the second European style house, built in the then paddy fields in Nungambakkam, chennai.
Doveton House derived its name from Lt. General John Doveton, who obtained it in 1837. History says that Lt. General John Doveton had stepped in Madras or Chennai in 1783 and passed away in 1847. He was the soldier-in-charge who supervised Tippu Sultan’s sons, when when Lord Cornwallis held them as hostages in Madras (chennai).

Doveton House seems to have served as a place for keeping prisoners in custody. Gaekwad of Baroda was held in Doveton house, for trying to kill a British resident in his state.

Though many famous personalities stayed in this house,the name “Doveton House” stuck on. Sir Ralph Benson, a Madras High Court Judge, who left Madras in 1913, was the last person to live in Doveton House. In 1916, Women’s Christian College (WCC) moved into Doveton House. Doveton House has since then been a eat of learning to many generations and continues to be so, as WCC is administered from these buildings and classes are being held even today.

Though more than 200 years have passed, since Doveton House was constructed, this magnificient building continues to be an architectural marvel. Enjoy a visit to Doveton House in a city trip to Chennai, India!!!

Berijam Lake -kodaikanal


Berijam Lake is a reservoir near Kodaikanal town in Dindigul district of Tamil Nadu, South India. It is at the old site of "Fort Hamilton", in the upper Palani hills. The lake, created by a dam with sluice outlets, is part of a micro–watershed development project. Periyakulam town, 18.7 kilometers (12 mi) to the SE, gets its public drinking water from the lake. The lake’s water quality is excellent.

Access
Berijam is located at the end of Pillar Rocks Road (old SR-18), 21 km (13.0 mi) southwest of Kodaikanal Lake. map There were two roads from Berijam, the Kodaikanal–Munnar Road to Munnar town, about 40 km (24.9 mi) west and another going to Kavunji village, 9 km (5.6 mi) north. The old roads are now overgrown with vegetation and used as walking trails by local villagers and trekkers. Encounters with wild animals including bison, elephants and leopards sometimes occur on these trails.

The Tamil Nadu Forest Department has restricted entry into the Berijam Lake area to between 9.30 a.m. and 3 p.m. for the general public. You have to apply for an entry permit (free) in person at the Forestry Department Office in Kodaikanal. Only a limited number of visitors are allowed in the park each day, so go early to get the permit. There is a forest check–post which prohibits unauthorized entry through the road leading to Berijam Lake. Beyond km marker 13 on the Berijam road there is an observation tower from where one may have a fine view of Berijam Lake and the surrounding forest.

Berijam has a Forest Department Camp including an Eco-Education Center for visitors. Nature areas to be visited here include: swamp ecosystem, fresh water ecosystem, nature trail, bridge, medicinal demonstration garden, museum, nature walk, grassland and shola.(guide map)

Site visits are organized for authorized researchers. Trekkers can get permission to stay overnight. There is a Forest Rest House with limited accommodations which serves as an overnight base camp for Forestry Department staff, researchers and trekkers. Visitors must bring their own provisions.

History

There was originally a swamp here known as the Berijam swamp. The previous existence there of a large lake, the evidence which was visible near by, was first recorded in 1864 by Colonel Douglas Hamilton of the 21st Regiment of the Madras Native Infantry. No record or even tradition regarding the formation of this ancient lake survives. However, Judging from the traces of its shoreline which still remained in 1906, it must have been nearly 5 mi (8 km) long, up to 3,960 ft (1,210 m) wide and up to 70 ft (21 m) deep. It was apparently formed by the side of a hill slipping down into a valley which slopes northwards to the Amaravati River, and damming up the stream which ran at the bottom of it. This stream apparently eventually cut its way through the huge natural embankment so formed, and thus emptied the lake this landslide had once created. The dam was about 600 ft (180 m) long and the breach in it was about 300 ft (91 m) across and 90 ft (27 m) deep.

In 1864, Colonel Hamilton submitted a report stating that the Berijam Lake area was the best site in the Palani Hills for a military cantonment or Sanatorium. A military outpost later built here, Fort Hamilton, was named for him. There was in fact no ' fort' at the place, only a small hut.

Berijam lake was artificially created in 1867, when Sir Vere Levigne, Collector of Madurai, donated part of his personal retirement for building the dam. Subsequently, the scheme was enlarged to supply drinking water to the Periyakulam Municipality and completed in 1912 at a cost of US $138,500.

Berijam has a 100 year old 2–story brick building, partly damaged and blackened over the years, with a bright yellow painted name reading "Britisher's Transit Camp". This is one of several transit camps built every 15 km (9 mi) for the soldiers to rest along the 230 km (143 mi) British “Escape Route” from Kodaikanal via Top Station and Munnar to Kochi, built during WW 2. While most of the transit camps are now either dilapidated or demolished, the one at Berijam still stands.

Berijam Lake has been studied palynologically and it revealed a 20,000 years story deposited in the sediments. Time span between 20,000-17,000 years before present (B.P.) experienced the cold and dry climatic conditions. After this period an oxidizing arid environmental conditions were prevailed for a period of 2500 years. The time span between 14,500-7000 years B.P. has witnessed a climatic amelioration phase leading to warm and humid climate. From about 7,000 years B.P. to present the area is under the cool and humid climate.

Thursday, April 15, 2010

DakshinaChitra

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DakshinaChitra is a center for the living traditions of art, folk performing arts, craft and architecture of India with an emphasis on the traditions of South India. DakshinaChitra is a project of the Madras Craft Foundation (MCF), a non-profit organisation. DakshinaChitra opened to the public in December 1996. The center occupies ten undulating acres overlooking the Bay of Bengal, at Muttukadu, twenty five kilometers south of Chennai, on the East Coast Road towards Mamallapuram, Tamil Nadu.
History
DakshinaChitra started with an effort to bring the hidden wealth of South India to light – to set up an institution to celebrate the myriad cultures of the numerous people of Southern India. In an era when the old and the traditional are vulnerable and challenged, this nucleus of an idea triggered a cultural journey.

Inspired by the artisans and folk artists of the villages, Dr. Deborah Thiagrajan, set out to form the Madras Craft Foundation (MCF) in 1984.

Madras Craft Foundation is a non-profit, non-governmental organization and DakshinaChitra was conceived as its main project. With the support of like-minded board members and volunteers and financial support from the Madras community, Dr. Thiagarajan and all others associated with MCF pursued the dream with perseverance and determination.

MCF received a Ford Foundation grant for research and education in 1988, a long lease of land from the Government of Tamil Nadu came in 1991, followed by grants from the Development Commissioner, Handicrafts (Government of India), for the building of DakshinaChitra. Matching donations came from the industry and the center slowly became a reality, opening to the public in December, 1996
Laurie Baker - the renowned architect, graciously donated his services to the foundation. The spatial conceptualization at DakshinaChitra and his building techniques and process breathe his philosophy of empowering masons and craftspeople in the building process. Architect Benny Kuriakose who designed the public buildings and supervises the conservation and reconstruction of the heritage buildings, has also provided continued service in the construction and conservation of the center.

Today DakshinaChitra successfully showcases the rich cultural heritage of South India. It reflects the beauty, traditions, innovations and the continuing evolution of South Indian arts and culture.

Monday, April 12, 2010

Thiruppavai


The Tiruppavai is a collection of thirty stanzas (paasuram) in Tamil written by Andal, in praise of the God Tirumal or Vishnu. It is part of Divya Prabandha, a work of the twelve Alvars, and is important in Tamil literature.

Pavai Genre
Tiruppavai belongs to the Pavai genre of songs, a uniquely Tamil tradition sung in the context of the Pavai vow observed throughout the month of Maarkazi, originally by unmarried girls praying to the Pavai goddess (related to Parvati) for a blissful married life. Sri Vaishnavas sing these stanzas every day of the year in the temple as well as in their homes. This practice assumes special significance during Margazhi: each day of this month gets its name from one of the thirty verses. There are references to this vow in the late-sangam era Tamil musical anthology Paripadal.

Andal's thirty songs contain the cardinal principles of Vaishnava dharma during the month of Maarkazi. Tamil Vaishnavas sing these songs to bring peace, prosperity and Divine Grace. Andal assumes the guise of a cowherd in these 30 verses. Andal appears intent upon performing a particular religious vow to marry the Lord, thereby obtain His everlasting company, and inviting all her girl-friends to join her. Towards the end we learn that she did not actually perform a religious rite; but is simply praying to be granted the service of the Lord for eternity. She yearns for everlasting happiness and service of the Lord.
Overview

The first five stanzas provide an introduction to the main theme, its principle and purpose. According to Andal one should give up luxuries during this season. Sincere prayers to the God would bring abundant rain and thus prosperity. Offering Lord Krishna fresh flowers would expiate sins committed earlier and those that may be committed in future.

In the next ten stanzas she describes the importance of community participation. She invites her friends to gather flowers. She essays the ambience at her village, the chirping of birds, colorful blossoms, the musical sound of butter-churning, herds of cattle with tinkling bells, the sounding of the conch from the temple.

She visits each household and awakens all her friends to join her for a bath in a nearby pond. She also praises the incarnations of the Lord. The next five stanzas describe her visit to the temple accompanied by her friends. She desires to render Suprabhata gently to wake up the Lord. The group appeases the temple guards, enters the temple and recites prayers extolling the parents of Lord Krishna and begging them to wake up Krishna and Balarama. Then they approach Neela Devi, the consort of the Lord, to have a darshan.

The last nine stanzas are on the glories of the Lord. On receiving his blessings Andal lists her demands; milk for the vrata, white conch, lamps, flowers, and rich costume and jewellery, plenty of ghee and butter. The concluding stanza is an envoie identifying her as the daughter of Vishnucittar who made this garland of 30 pasurams and says those who recite with devotion will have Lord’s blessings.

Tuesday, April 6, 2010

Guindy National Park


The Guindy National Park, 2.70 sq.KM wide is unique in more ways than one. It has the rarest vegetation type – the tropical dry evergreen vegetation. It is one of the smallest national parks and is situated right in the heart of a metropolitan city - Chennai. But perhaps the best of all is that it has a role in both ex-situ and in-situ conservation.

Guindy National Park is home to 400 black bucks, 2000 spotted deer, 24 jackals, a variety of snakes, geckos, a wide variety of snakes tortoises, geckos and over 100 species of birds, over 60 species of butterflies and spiders each, a wealth of different invertebrates-grasshoppers, ants, termites, carbs, snails, slugs, scorpions, mites, spiders, earthworms, millipedes, etc., These are free-ranging fauna and live with the minimal of interference from human beings. The only major management activity is protection as in other in situ conseration area. The park boasts of over 350 species of plants, and form a natural destination for botanists.
About 22 acres of GNP has been carved out into a zoo for ex-situ conservation. This entails keeping different species in captivity on view to public. Children’s park - the zoo was started with the idea of providing children a natural environment, to educate them about animals and create awareness on conservation. The animals, have bred well in recent years. In children’s park include black buck, sambar, spotted deer, porcupine, hyena, jackal, python, grey pelican, night heron, cormorant, cockatiel, mongoose, bonnet monkey, common langur.


Star Tortoise


With the aim of spreading awareness, nature camps are conducted for school students taking inside the national park and told of the importance of the bio-diversity found therin. There is also a new interpretation center giving information about the bio diversity found inside the park.

Over 7 lakh visitors come to GNP every year. With the onslaught of development in Chennai. GNP is one of the last strong holds of bio diversity providing peaceful pollution-free atmosphere to many Chennai-ites.

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