Sripuram Golden Mahalaxmi Temple
Golden Temple - when uttered this word, immediately people thinks of Amritsar and the Highest Body of the Sikh's pride Golden Temple.
Thirmalai naiker mahal-MADURAI
The palace is situated 2kms south east of Meenakshi Temple. The palace was built in 1636 by Thirumalai Nayakar.
The Meenakshi temple complex
Madurai or "the city of nectar" is the oldest and second largest city of Tamil Nadu..
The big Waterfalls at Hogenakal
You get the feel of the river running nearby when you enter the sanctuary enclosing Hogenakal waterfall. Suddenly.
Dr. Avul Pakir Jainulabhudin Adbul Kalam
Adbul Kalam, was born on the 15th October, 1931, at Rameshwaram in TamilNadu. He did his B.Sc..
Wednesday, July 18, 2007
About two thousand years ago there flourished in Mylapore, Madras, a born Siddha and a born poet by name Valluvar or, as he is more commonly known, ‘Thiruvalluvar’, which only means, ‘the devotee of the Valluva caste’. Valluvas are Pariahs (now called Harijans) and their vocation was proclaiming the orders of the king by beat of drum. There is a tradition that Thiruvalluvar was the son of one Bhagavan, a Brahmin, and Adi, a Pariah woman whom he had married.
Thiruvalluvar was born at Madurai, the capital of the Pandyas. He is regarded as an Avatara of Brahma. His wife Vasuki was a chaste and devoted lady, an ideal wife, who never disobeyed the orders of her husband, but always carried them out implicitly. Thiruvalluvar showed people that a person could lead the life of a Grihastha or householder, and at the same time, lead a divine life or a life of purity and sanctity. He showed people that there was no necessity to leave the family and become a Sannyasin to lead a divine life of purity and sanctity. All his wise sayings and teachings are now in book form and known as ‘Thirukkural’. These sayings are all in couplets. Here are some of them:
Just as the alphabet ‘A’ is the beginning of all letters, so also, God is the beginning for this universe.
Learn the Shastras completely and then act according to their injunctions.
The Anicha flower will fade by smelling, but guests are more sensitive if the hosts turn their faces a bit.
Death is like sleeping in the burial ground;birth is like waking in the morning.
These couplets are 1,330 in number. They contain the essence of the Vedas, the Upanishads and the six Darshanas. Thirukkural is regarded as a universal Bible. It is another Gita, Koran or Zend Avesta.
Some aspirants repaired to Thiruvalluvar and enquired: "O sage, which Ashrama of life is better—Grihastha or Sannyasa?". Thiruvalluvar did not give any answer. He simply kept quiet. He wanted to teach them the glory of Grihastha Ashrama by example.
Thiruvalluvar was taking cold rice in the morning. He said to his wife: "Vasuki, the rice is very hot. Bring a fan to cool it". Thiruvalluvar’s wife was drawing water from the well when Thiruvalluvar called her. She at once left the rope and ran to him with a fan to cool the rice. She did not say to her husband: "How can the cold rice be hot? Why do you want a fan now?". She simply obeyed his commands. The vessel that contained water was hanging half-way in the well unsupported, on account of her Pativrata Dharma Shakti. The aspirants noticed this phenomenon and the noble conduct of Vasuki and were simply struck with amazement.
About midday, on another occasion, Valluvar called his wife and said, "Bring a lamp immediately, O Vasuki! I am stitching the cloth. I cannot see the eye of the needle. I cannot pass the thread properly". Vasuki did not say to her husband: "It is broad daylight now. Why do you want a lamp? You can see the eye of the needle clearly". But she implicitly obeyed his word. The aspirants were much inspired by the ideal life of sage Thiruvalluvar and the exalted conduct of Vasuki. They did not speak a word to the saint. They took leave of the saint and quietly left the place with profound satisfaction. They were deeply impressed by the practical and exemplary life led by Thiruvalluvar and Vasuki. They learnt the lesson that the life of an ideal householder was in no way inferior to that of an ideal Sannyasin who was treading the path of Nivritti and austerity in the Himalayan caves and that each was great in its own place, time and circumstances.
Dear readers! Such ladies sit enthroned in the hearts of their husbands. No doubt they are hard to find, because such women never advertise themselves; but there must be many in our land of Rishis and sages; and unless we maintain such a high level of moral purity, we will all be going down in these days of modern civilization and scientific advancement. If the husbands of the present day behave like Thiruvalluvar, the wives will say, "My husband has become senseless. He wants to fan the rice when it is so cold! He wants a light when there is broad sunlight". The wives will rebuke their husbands and fight with them.
That house wherein the wife serves the husband with sincere devotion and observes Pativrata Dharma is heaven on earth. That house wherein the wife fights with the husband and disobeys his orders is a veritable hell on earth. Ladies who practise Pativrata Dharma need not go to temples. They need not practise any Vrata or penance. Service to the husband becomes worship. They can realise God through service to their husbands. Husbands also should be ideal persons with noble qualities. Husbands are the Gurus for their wives. The wives need not get any initiation from any Acharya. Glory to such exalted ladies who practise Pativrata Dharma
Thiruvalluvar was born at Madurai, the capital of the Pandyas. He is regarded as an Avatara of Brahma. His wife Vasuki was a chaste and devoted lady, an ideal wife, who never disobeyed the orders of her husband, but always carried them out implicitly. Thiruvalluvar showed people that a person could lead the life of a Grihastha or householder, and at the same time, lead a divine life or a life of purity and sanctity. He showed people that there was no necessity to leave the family and become a Sannyasin to lead a divine life of purity and sanctity. All his wise sayings and teachings are now in book form and known as ‘Thirukkural’. These sayings are all in couplets. Here are some of them:
Just as the alphabet ‘A’ is the beginning of all letters, so also, God is the beginning for this universe.
Learn the Shastras completely and then act according to their injunctions.
The Anicha flower will fade by smelling, but guests are more sensitive if the hosts turn their faces a bit.
Death is like sleeping in the burial ground;birth is like waking in the morning.
These couplets are 1,330 in number. They contain the essence of the Vedas, the Upanishads and the six Darshanas. Thirukkural is regarded as a universal Bible. It is another Gita, Koran or Zend Avesta.
Some aspirants repaired to Thiruvalluvar and enquired: "O sage, which Ashrama of life is better—Grihastha or Sannyasa?". Thiruvalluvar did not give any answer. He simply kept quiet. He wanted to teach them the glory of Grihastha Ashrama by example.
Thiruvalluvar was taking cold rice in the morning. He said to his wife: "Vasuki, the rice is very hot. Bring a fan to cool it". Thiruvalluvar’s wife was drawing water from the well when Thiruvalluvar called her. She at once left the rope and ran to him with a fan to cool the rice. She did not say to her husband: "How can the cold rice be hot? Why do you want a fan now?". She simply obeyed his commands. The vessel that contained water was hanging half-way in the well unsupported, on account of her Pativrata Dharma Shakti. The aspirants noticed this phenomenon and the noble conduct of Vasuki and were simply struck with amazement.
About midday, on another occasion, Valluvar called his wife and said, "Bring a lamp immediately, O Vasuki! I am stitching the cloth. I cannot see the eye of the needle. I cannot pass the thread properly". Vasuki did not say to her husband: "It is broad daylight now. Why do you want a lamp? You can see the eye of the needle clearly". But she implicitly obeyed his word. The aspirants were much inspired by the ideal life of sage Thiruvalluvar and the exalted conduct of Vasuki. They did not speak a word to the saint. They took leave of the saint and quietly left the place with profound satisfaction. They were deeply impressed by the practical and exemplary life led by Thiruvalluvar and Vasuki. They learnt the lesson that the life of an ideal householder was in no way inferior to that of an ideal Sannyasin who was treading the path of Nivritti and austerity in the Himalayan caves and that each was great in its own place, time and circumstances.
Dear readers! Such ladies sit enthroned in the hearts of their husbands. No doubt they are hard to find, because such women never advertise themselves; but there must be many in our land of Rishis and sages; and unless we maintain such a high level of moral purity, we will all be going down in these days of modern civilization and scientific advancement. If the husbands of the present day behave like Thiruvalluvar, the wives will say, "My husband has become senseless. He wants to fan the rice when it is so cold! He wants a light when there is broad sunlight". The wives will rebuke their husbands and fight with them.
That house wherein the wife serves the husband with sincere devotion and observes Pativrata Dharma is heaven on earth. That house wherein the wife fights with the husband and disobeys his orders is a veritable hell on earth. Ladies who practise Pativrata Dharma need not go to temples. They need not practise any Vrata or penance. Service to the husband becomes worship. They can realise God through service to their husbands. Husbands also should be ideal persons with noble qualities. Husbands are the Gurus for their wives. The wives need not get any initiation from any Acharya. Glory to such exalted ladies who practise Pativrata Dharma
THIRUKKURAL
THIRUVALLUVAR,author of THIRUKKURAL - A Sagacious saint born before the Christ ( i.e. about 30 years before the Jesus Christ) Tamils take cognizance of the birth of Thiruvalluvar as a basis of the calendar. Now we are in the 2032 of Thiruvalluvar Aandu.
Thirukkural is regarded as a renowned work, that is eulogised as a directory of code of conduct and ethics to the Humanity, through his 1330 couplets, the revered poet not only deals with the general administration, but also codified the clear cut directions to the mankind on how they should behave and act in a social, political, religious and family circles.
The work of Thiruvalluvar was translated into more than 60 languages world wide.
GREATNESS OF THIRUKKURAL
Thirukural is a precious gem among the classics, unique in the deliverance of code of conduct to the mankind to follow for all time to come. It enshrines in it 1330 couplets under 133 chapters, each chapter comprising 10 verses. The chapters again fall under three major divisions. Virtue, Wealth and Love. This treatise encompasses the whole gamut of human life and by Thiruvalluvar, its illustrious author illuminates every bit of it. This classical work written in Tamil, has been translated in over 60 languages of the world.
The Government of Tamil Nadu had a vision(far beyond) the Horizon. Yes, to raise
MEENAKSHI AMMAN TEMPLE-MADURAI
Meenakshi temple
Madurai or "the city of nectar" is the oldest and second largest city of Tamil Nadu. This city is located on Vaigai River and was the capital of Pandyan rulers. The Pandyan king,Kulasekhara had built a gorgeous temple around which he created a lotus shaped city. It has been a center of learning and pilgrimage,for centuries. Legend has it that the divine nectar falling from Lord Shiva's locks gave the city its name - 'Madhurapuri',now known as "Madurai".
The Sri Meenakshi Sundareswara temple and Madurai City originated together. The structures that are standing today date mostly from the twelfth to the eighteenth century. They occupy a vast space,258-m by 241m. There are the two main shrines,no less than twelve Gopuras,a pool and innumerable Mandapas. At every turn there is superb sculpture,magnificent architecture.
The Meenakshi temple complex is one of the largest and certainly one of the most ancient. According to legend Madurai is the actual site where the wedding between Shiva and Meenakshi took place. The gigantic temple complex,the statues exploring the entire range of human emotions,everything here is larger than life. The soaring and exquisitely carved towers enclose the temple dedicated to Meenakashi. The south gateway contains the twin temples of Shiva and Meenakshi and is about nine storeys high.
Once Dhananjaya,a merchant of Manavur,where the Pandyas had arrived after the second deluge in Kumari Kandam,having been overtaken by nightfall in Kadamba forest,spent the night in the Indra Vimana. When next morning he woke up,he was surprised to see signs of worship. Thinking that it must be the work of the Devas,he told the Pandya,Kulasekhara,in Manavur,of this. Meanwhile Lord Shiva had instructed Pandya in a dream to build a temple and a city at the spot Dhananjaya would indicate. Kulasekhara did so. Thus originated the temple and city.
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In the 14th century an invasion by Malik Kafur damaged the temple. In the same century Madurai was under Muslim rule for nearly fifty years. The temple authorities closed the sanctum,covered up the Linga,and set up another in the Ardhamandapa. When the city was liberated,the sanctum was opened,and,tradition says the flower garlands and the sandalwood paste placed on the Linga were as fresh as on the first day,and two oil lamps were still burning.
Inside Meenakshi temple
Ashta Sakthi Mandapa :
This Mandapa is a convention in this temple,different from that followed in others,that the devotee offers worship first to Goddess Meenakshi. Therefore,while there are four other entrances into the temple,under huge Gopuras in the four cardinal directions,it is customary to enter not through any of them but through a Mandapa,with no tower above it. This entrance leads directly to the shrine of the Goddess.
This Mandapa is an impressive structure,with a hemispherical ceiling. It is 14m long and 5.5m wide. There are bas-reliefs all over the place. Over the entrance one of them depicts the marriage of Goddess Meenakshi with Lord Somasundara. The Mandapa derives its name,the "Ashta Sakthi",from the fact it contains sculptures of the eight Sakthis (also spelt as Shakti). Those of the four principal Nyanmars were added during renovation of the temple in 1960-63.
Closer View,Meenakshi templeMeenakshi Nayakkar Mandapam :
This hall 42.9m long and 33.5m wide is adjacent to Ashta Shakthi Mandapam. It contains 110 stone columns,each 6.7m high carrying the figures of a peculiar animal with a lion's body,and an elephant's head called Yalli. Potramaraukulam (Golden Lotus Tank) :
This temple tank is an ancient tank where devotees take bath in the holy water. The corridors around the tank are rightly called the Chitra Mandapa,for the walls carry paintings of the divine sports of the Lord. The area around this tank was the meeting place of the Tamil Sangam - the ancient academy of poets.This academy judged the worth of any work of literature presented before it by throwing it into the tank. Only those that did not sink were considered worthy of attention. The tank is surrounded by a pillared corridor. Steps lead down to the tank,enabling worshippers to take bathe in it. The Thousand Pillar Mandapam :
It is the 'wonder of the place',Actually the number of pillars count to 985. Each pillar is sculptured and is a monument of the Dravidan sculpture. There is a Temple Art Museum in this 1000 pillars hall where you can see icons,photographs,drawings,etc.,exhibiting the 1200 years old history. There are so many other smaller and bigger mandapams in the temple. Just outside this mandapam,towards the west,are the Musical Pillars. Each pillar when stuck,Produces a different musical notes. Vasantha Mandapam :
This mandapam was built by Thirumalai Nayakkar. Vasanthosavam - the Spring festival-is celebrated in this mandapam in Vaikasi (April/May). Its pillars contain elaborate sculptures of Shiva,Meenakshi,scenes from their wedding as well as the figures of ten of the Nayak Kings and their consorts. This is also called Pudhu Mandapam. Oonjal Mandapam :
Two Mandapas,the Unjal (swing) and the Kilikatti (parrot cage),are on the western side of the tank. On their ceilings are more paintings. The Kiliatti Mandapa has on its walls the carvings of the divine sports. The most ornamental of the temple's Mandapas,it was built in 1623.
Every Friday,the golden idols of Meenakshi and Sundareswarar are seated on the swing in the Oonjal Mandapam and hymns are sung as the deities gaily swing to and fro. The parrots in the Kilikoontu Mandapam have been trained to repeat Meenakshi's name. But more interesting are the 28 pillars of the mandapam which exhibit some excellent Sculptures of figures from Hindu mythology. Swami Sundareswarar Shrine :
Lord Sundareswarar (Shiva) the consort of Goddess Meenakshi is to the north of Kilikoontu Mandapam . On your way you can worship a gigantic idol of Sri Ganesh called Mukkurini Pillaiyar. When the king Thirumalai Nayakar excavated a temple tank 3 km from Meenakshi temple he unearthed this idol of Vinayaka and erected the same here.
In the outer pragaram (corridor outside the main shrine) there is stump of the kadamba tree,which is said to be a part of the same tree under which Indra worshipped Shiva linga. Also in the outer corridor there are the Kadambathadi Mandapam and big hall called ' Velli Ambalam' . Here, An idol of Nataraja (Shiva as the Lord of Dance) is seen. This idol of Nataraja is covered with silver leaves. Hence this hall is named as Velli Ambalam (Silver Hall)..
The famous festivals held at Madurai,include Teppam festival,the annual Float Festival,wherein the images of Sri Meenakshi and Lord Sundareswara (also spelt as Sundreshwara) are mounted on floats,and taken to Mariamman Teppakkulam Tank,where for several days they are pulled back and forth across the water in the middle of the tank,on an illuminated raft embellished with flowers,before being taken back to the main temple.
Meenaskhi Kalyanam,the wedding festival of Goddess Meenakshi and Lord Sundareshwar is celebrated for twelve days from the second day of the lunar month (i.e. two days after the new moon). This is a spectacular festival celebrated in the month of Chaitra (April-May). The festival is characterized with royal decorated umbrellas,fans and traditional instrumental music. Scenes from mythology are enacted and the deities of Lord Shiva,Goddess Shakti and Goddess Meenakshi are taken out in a colourful procession. Thousands of devotees from all over the country gather in the city of Madurai on this occasion.
Madurai or "the city of nectar" is the oldest and second largest city of Tamil Nadu. This city is located on Vaigai River and was the capital of Pandyan rulers. The Pandyan king,Kulasekhara had built a gorgeous temple around which he created a lotus shaped city. It has been a center of learning and pilgrimage,for centuries. Legend has it that the divine nectar falling from Lord Shiva's locks gave the city its name - 'Madhurapuri',now known as "Madurai".
The Sri Meenakshi Sundareswara temple and Madurai City originated together. The structures that are standing today date mostly from the twelfth to the eighteenth century. They occupy a vast space,258-m by 241m. There are the two main shrines,no less than twelve Gopuras,a pool and innumerable Mandapas. At every turn there is superb sculpture,magnificent architecture.
The Meenakshi temple complex is one of the largest and certainly one of the most ancient. According to legend Madurai is the actual site where the wedding between Shiva and Meenakshi took place. The gigantic temple complex,the statues exploring the entire range of human emotions,everything here is larger than life. The soaring and exquisitely carved towers enclose the temple dedicated to Meenakashi. The south gateway contains the twin temples of Shiva and Meenakshi and is about nine storeys high.
Once Dhananjaya,a merchant of Manavur,where the Pandyas had arrived after the second deluge in Kumari Kandam,having been overtaken by nightfall in Kadamba forest,spent the night in the Indra Vimana. When next morning he woke up,he was surprised to see signs of worship. Thinking that it must be the work of the Devas,he told the Pandya,Kulasekhara,in Manavur,of this. Meanwhile Lord Shiva had instructed Pandya in a dream to build a temple and a city at the spot Dhananjaya would indicate. Kulasekhara did so. Thus originated the temple and city.
-->
In the 14th century an invasion by Malik Kafur damaged the temple. In the same century Madurai was under Muslim rule for nearly fifty years. The temple authorities closed the sanctum,covered up the Linga,and set up another in the Ardhamandapa. When the city was liberated,the sanctum was opened,and,tradition says the flower garlands and the sandalwood paste placed on the Linga were as fresh as on the first day,and two oil lamps were still burning.
Inside Meenakshi temple
Ashta Sakthi Mandapa :
This Mandapa is a convention in this temple,different from that followed in others,that the devotee offers worship first to Goddess Meenakshi. Therefore,while there are four other entrances into the temple,under huge Gopuras in the four cardinal directions,it is customary to enter not through any of them but through a Mandapa,with no tower above it. This entrance leads directly to the shrine of the Goddess.
This Mandapa is an impressive structure,with a hemispherical ceiling. It is 14m long and 5.5m wide. There are bas-reliefs all over the place. Over the entrance one of them depicts the marriage of Goddess Meenakshi with Lord Somasundara. The Mandapa derives its name,the "Ashta Sakthi",from the fact it contains sculptures of the eight Sakthis (also spelt as Shakti). Those of the four principal Nyanmars were added during renovation of the temple in 1960-63.
Closer View,Meenakshi templeMeenakshi Nayakkar Mandapam :
This hall 42.9m long and 33.5m wide is adjacent to Ashta Shakthi Mandapam. It contains 110 stone columns,each 6.7m high carrying the figures of a peculiar animal with a lion's body,and an elephant's head called Yalli. Potramaraukulam (Golden Lotus Tank) :
This temple tank is an ancient tank where devotees take bath in the holy water. The corridors around the tank are rightly called the Chitra Mandapa,for the walls carry paintings of the divine sports of the Lord. The area around this tank was the meeting place of the Tamil Sangam - the ancient academy of poets.This academy judged the worth of any work of literature presented before it by throwing it into the tank. Only those that did not sink were considered worthy of attention. The tank is surrounded by a pillared corridor. Steps lead down to the tank,enabling worshippers to take bathe in it. The Thousand Pillar Mandapam :
It is the 'wonder of the place',Actually the number of pillars count to 985. Each pillar is sculptured and is a monument of the Dravidan sculpture. There is a Temple Art Museum in this 1000 pillars hall where you can see icons,photographs,drawings,etc.,exhibiting the 1200 years old history. There are so many other smaller and bigger mandapams in the temple. Just outside this mandapam,towards the west,are the Musical Pillars. Each pillar when stuck,Produces a different musical notes. Vasantha Mandapam :
This mandapam was built by Thirumalai Nayakkar. Vasanthosavam - the Spring festival-is celebrated in this mandapam in Vaikasi (April/May). Its pillars contain elaborate sculptures of Shiva,Meenakshi,scenes from their wedding as well as the figures of ten of the Nayak Kings and their consorts. This is also called Pudhu Mandapam. Oonjal Mandapam :
Two Mandapas,the Unjal (swing) and the Kilikatti (parrot cage),are on the western side of the tank. On their ceilings are more paintings. The Kiliatti Mandapa has on its walls the carvings of the divine sports. The most ornamental of the temple's Mandapas,it was built in 1623.
Every Friday,the golden idols of Meenakshi and Sundareswarar are seated on the swing in the Oonjal Mandapam and hymns are sung as the deities gaily swing to and fro. The parrots in the Kilikoontu Mandapam have been trained to repeat Meenakshi's name. But more interesting are the 28 pillars of the mandapam which exhibit some excellent Sculptures of figures from Hindu mythology. Swami Sundareswarar Shrine :
Lord Sundareswarar (Shiva) the consort of Goddess Meenakshi is to the north of Kilikoontu Mandapam . On your way you can worship a gigantic idol of Sri Ganesh called Mukkurini Pillaiyar. When the king Thirumalai Nayakar excavated a temple tank 3 km from Meenakshi temple he unearthed this idol of Vinayaka and erected the same here.
In the outer pragaram (corridor outside the main shrine) there is stump of the kadamba tree,which is said to be a part of the same tree under which Indra worshipped Shiva linga. Also in the outer corridor there are the Kadambathadi Mandapam and big hall called ' Velli Ambalam' . Here, An idol of Nataraja (Shiva as the Lord of Dance) is seen. This idol of Nataraja is covered with silver leaves. Hence this hall is named as Velli Ambalam (Silver Hall)..
The famous festivals held at Madurai,include Teppam festival,the annual Float Festival,wherein the images of Sri Meenakshi and Lord Sundareswara (also spelt as Sundreshwara) are mounted on floats,and taken to Mariamman Teppakkulam Tank,where for several days they are pulled back and forth across the water in the middle of the tank,on an illuminated raft embellished with flowers,before being taken back to the main temple.
Meenaskhi Kalyanam,the wedding festival of Goddess Meenakshi and Lord Sundareshwar is celebrated for twelve days from the second day of the lunar month (i.e. two days after the new moon). This is a spectacular festival celebrated in the month of Chaitra (April-May). The festival is characterized with royal decorated umbrellas,fans and traditional instrumental music. Scenes from mythology are enacted and the deities of Lord Shiva,Goddess Shakti and Goddess Meenakshi are taken out in a colourful procession. Thousands of devotees from all over the country gather in the city of Madurai on this occasion.